江南好, 为尺八与箜篌二重奏而作 (姚恒璐)

《江南好》，为尺八与箜篌二重奏而作

音乐主题选自<唐>智化寺《音乐腔谱》No.48—南吕宫

主题旋律源自唐朝，带有典型的中国西北燕乐调式特征，此曲调现在听来颇有日本曲调风格，从中也证实了音乐的原貌被保存得如此完好。作品分为4 个部分，A Adagio; B Moderato; C Andantino; D Adagio; 伴随着逐渐加快的速度，最终又再现为初始的速度样式。全曲沿着一个小小的动机及其变奏的织体展开，这种调式布局对于现实的听者而言应当是非常重要的，由此会认识和联想到中国古代音乐的格调。从这个观点来看，文化、历史的意义应当远比作品本身更有深意。

GOOD SCENE IN SOUTH OF RIVER, for Chi-ba and Kong-hou

Coming from Yang Dynasty, the character of tune contains Yan model feature, which usually happed in North-west of China even in the present. the sound of somewhere is listened more like present Japanese tune style, which was improved that the music manner has been kept so well.

It consist of four parts with gradual faster tempos in each two-part and recapitulation. A Adagio; B Moderato; C Andantino; D Adagio;

The whole piece is adopted a similar motif with varied texture to express the spirit of ancient China and this model layout should be very important to present people to realize and image the original genres of ancient music in China. From this point of view, its cultural and historical significance should be far more than the work itself.